Channel: Lessons from the Screenplay

Category: Film & Animation

Tags: fundamentalshow tostorytellingbasicsjamie foxxvideofilmmakingscreenplayantagonisttipscharacterjohn yorke2004writingprotagonistmidpointlessons from the screenplaymichael tuckerscreenwritingmichael mannscreenwritertom cruisejada pinkett smithscreenwriting techniqueswriting tipsscriptstructurefilmmakerscreenwriting tipsessaycollateralinto the woods

Description: Start your free trial today, at squarespace.com/lfts to get 10% off your first purchase. Support LFTS: patreon.com/LFTScreenplay LFTS Merch: standard.tv/collections/lfts Twitter: twitter.com/michaeltuckerla Instagram: instagram.com/michaeltuckerla Facebook: facebook.com/lessonsfromthescreenplay Michael Mann’s 2004 thriller Collateral is a great example of how a protagonist’s facade is slowly stripped away as their inner self is forced to rise, and what happens when these two sides of the character collide at the midpoint of the story. Written by: Brian Bitner (twitter.com/BrianBitner) Michael Tucker (twitter.com/michaeltuckerla) UCTV Interview with Stuart Beattie: youtu.be/ceEWa1DRuI0 Check out my kit, from screenwriting books to gear: kit.co/LFTS/screenwriting-books LFTS Recommended Reading List: lessonsfromthescreenplay.com/reading-list Translate this video: youtube.com/timedtext_video?ref=share&v=S0QMxzEVuDI Thanks to Diego Rojas for composing original music for this video and this channel! Check out more of his work: soundcloud.com/diegorojasguitar